- Editorial
- Authors Guidlines
- Notes on Contributors
- Table of Content
2. SPEECH SURROGACY DIMENSION TO AFRICAN PIANISM: UZOIGWE’S ‘DÙNDÚN’ IN FOCUS – Olúwaseun Babábùsólá OWÓAJÉ
3. LITERATURE AND MUSIC IN FUSION: USE OF ORÍKÌ AND ÒWE IN GENERATING EMOTIONAL RESPONSES THROUGH TALKING DRUMS – Cecilia DÚRÓJAYÉ-PRUEFER, Ph.D.
4. PERFORMANCE CONTEXTS OF SELECTED YORÙBÁ TRADITIONAL MUSICAL FORMS – Olúfémi Àkànjí OLÁLÉYE, Ph.D. & Adéyeyè Adégoríoyè OLÚWOLÉ
5. SOUNDING THE NIGERIAN POLITICAL ENVIRONMENT WITH THE CONSTITUENT OF APALA MUSIC OF ÀYÌNLÁ Ọ MỌ WÚ RAA’S “Ẹ YIN Ò SÈ LÚ WA” – Olá túnbo ̣̀sún Samuel ADÉ KỌ̀GBE ̣́, Ph.D. & Sunday Olúwaseun UKAEWEN
6. APPRAISAL OF SELECTED IFA VERSES ON THE ORIGIN OF YORÙBÁ TRADITIONAL MUSICAL INSTRUMENTS – David Oláwolé FÁDÍPÈ
7. YORÙBÁ DÙNDÚN SÈKÈRÈ TRADITIONAL MUSIC IN NIGERIA: THE PALACE OF THE ALÁÀFIN OF ÒYÓ EXPERIENCE – John AJÉWOLÉ, Ph.D.
8. ROYAL WIVES AND THE NURTURING OF COMMUNAL CONNECTION THROUGH THE FOLK MUSIC TRADITION IN ILE-IFE, ÒYÓ STATE, NIGERIA – Atinúké Adéníkè LÁYADÉ, Ph.D.
9. “ARIWO KÓ NI MUSIC, EMPTY BARREL LÓ N PARIWO”: A DISCOURSE ON YORÙBÁ MUSIC AS A COMMUNICATIVE AND CONTEMPLATIVE ART – Stephen OLÚSOJÍ Ph.D., Grace OLÁOLÚWA Ph.D., & Ségun ODÙSORÒ
10. WOMEN MUSICIANS IN NIGERIA: A STUDY OF ṢỌ LÁ ALLYSON’S STYLE – Samson Obialor ONU & Omóníyì Olúwafémi OYÈTÁDÉ
11. VOCAL ORGANISATIONAL TECHNIQUES IN KING SUNNY ADÉ’S JÙJÚ MUSIC – Adéolú O. ÒGÚNSÀNYÀ, Ph.D.
12. NEW REALITY IN MATERIAL SELECTION FOR YORÙBÁ TRADITIONAL DRUM MAKING – Kéhìndé FÁNÍYÌ Ph.D., Adéníkè GBÀDÀMÓSÍ, Ramon ADÉLÉKÈ & Olúwafémi OLÁNÍYAN
13. THE PLACE OF TRADITIONAL DRUMMERS IN EGÚNGÚN FESTIVAL IN ÒGBÓMÒSÓ TOWN – Sunday Olúdélé BABALOLÁ, Ph.D.
14. YORÙBÁ CULTURE AS AN IDENTITY IN HIGHLIFE MUSIC – Olúwasèsan Victor ÀJÀYÍ, Ph.D.
15. DEVELOPMENT AND SIGNIFICANCE OF YORÙBÁ MUSIC-THEATRE FROM FOLK OPERA TO CONTEMPORARY OPERA – Adéolú ÀBE, Ph.D.
16. THE EXPLORATION OF TECHNOLOGICAL INNOVATIONS IN NIGERIAN TRADITIONAL MUSICAL INSTRUMENTS – Abíódún Olálérè AKÉRÈ
17. DÉDEKÉ’S ‘MÁ GBÀGBÉ ILÉ’: A CREATIVE APPROACH TO DECOLONIZING CHURCH HYMNODY – Káyòdé MORÓHUNFÓLÁ, Ph.D.
18. FUNCTION OF MUSIC IN ÒSÀRÀ FESTIVAL IN ILÉ-IFÈ – Adémóláa Gbénga ÈLÚWOLÉ
19. EWÀ̀ ÈDÈ̀ IN À YÌNLÁ OMOWÚRÀ’S À PÀ̀LÀ MUSIC – Ezekiel Babátópé ADÉDAYÒ, Ph.D.
20. ÀGBÁ MUSIC ENSEMBLE OF THE ÒGBÓNI CULT IN YORUBALAND: AN ETHNOMUSICOLOGICAL STUDY – Bayo OGUNYEMI, Ph.D. & John AJÉWOLÉ, Ph.D.
21. MORAL LESSONS FROM FIVE NIGERIAN FOLKTALES AND THEIR SONGS: PARADIGMS FOR NATIONAL TRANSFORMATION – K. S. OMÓDÉLÉ
22. A DISCOURSE ON THE CHRONOLOGICAL DEVELOPMENT OF STYLES IN JÙJÚ MUSIC IN NIGERIA – Káyòdé OLÚSOLÁ, Ph.D.
23. YORÙBÁ FOLK SONGS AS AN INSTRUMENT FOR COMBATING MORAL DECADENCE AMONG THE YOUTH IN THE SOCIETY – Àbáyòmí Ayòolá IKÚMÁPÀYÍ
24. ‘AMERICAN VISA’: A YORÙBÁ SOCIO-CULTURAL MUSIC COMPOSITION THAT EXEMPLIFIES CROSS-CULTURAL LINKAGES – Grace OLÁOLÚWA, Ph.D.
24. REAPPRAISING THE MUSICAL LEGACIES IN YORÙBÁ IFÁ LITERARY CORPUS – ‘Fémi ADÉDÈJÌ, Ph.D.
25. “EVERY STUDENT A MUSICIAN”: A STUDY OF MOUNTAIN TOP UNIVERSITY MUSIC PROGRAMME IN NIGERIA – Emmanuel Ayòdélé ÀJÀYÍ & John AJÉWOLÉ, Ph.D
26. SYMBOLISM IN YORÙBÁ INSTRUMENTAL METRICAL FRAMEWORK AS INFORMATION DISSEMINATION ARTS – Olúfémi Àkànjí OLÁLÉYE, Ph.D. & Mobólájí Olárìnre ÒGÚNJÌMÍ
27. EXPLORING THE INTEGRATION OF JÙJÚ MUSIC PERFORMANCE TECHNIQUES IN CONDUCTING YORÙBÁ CHORAL ART WORKS: A PRAGMATIC APPROACH – Olúseun Sunday ÒDÚSÀNYÀ & Atinúké Adéníkè LÁYADÉ